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SEEN COMING FROM A MIGHTY EYE
Release date: Late Summer, 2016
Cover Art: Aaron Martin
Layout: Jeremy Yingling
(album download available upon request)
PRESS
"Paul Simon doing a Daniel Johnston tribute while Beck makes butter sculptures in the control room."
-Cincinnati City Beat
(Midpoint Music Fest Preview Guide, 2012)
"Maintains folk undertones while employing a complex, multi-instrumental sound that makes the record unique."
-Paste Magazine
(Album Stream, 2013)
"Pop sensibility that at times brushes up against the sound of the Elephant 6 collective."
-RVA Mag
(Show Preview, March 2011) (Album Review, Jan 2012)
"There are instances of romance, apocalyptic notions as the world passes, and symptoms of travel. I don't think Wallace considers approaching any of these subjects under simple pretense."
-The Richmond Scene
(Album Review, Aug. 2011)
Nashville Scene Critics Choice (show preview)
RVA Mag (live review)
Yewknee.com (album review)
SKYWAY MAN MEMBERS
James Wallace: Vocals, Guitar
Nate Matthews: Vocals, Bass
Pinson Chanselle: Aux Percussion
Aaron Distler: Drums
Ric Alessio: Keyboard, Saxophone, Vocals
Aaron Williams: Clarinet, Saxophone
PHOTOS
For Hi-res Photos, GO HERE.
LINKS
Bandcamp: jameswallace.bandcamp.com
Website: www.jwatnl.com
Facebook: www.facebook.com/jwatnl
MEDIA
"The Shadow Knows" (Live Pink House Session)
"Worse Things Have Happened" (Official Music Video)
BIO
Skyway Man, or formally, James Wallace is the kind of guy you'd want on your side if you ever got into a music fight in prison. A quick falsetto step and a melismatic jab would get you right out of trouble, and back on the good line. His penchant for dark and clever wordplay above major cheerful melodies, indicates there may be a few twisted stories from his past that we've yet to discover.
Seen Coming From A Mighty Eye captures a vintage quality channeled from some alternate-dimension folk music of decades past. The nod to Paul Simon is apparent through sheer vocal physicality and studied use of polyrhythmic percussion, but Wallace's writing also reveals a similar love for melancholy lyric married to rich gospel harmonies. More often than not, his band heads into the go-for-broke rodeo scene of the early Kinks. A kind of rock and roll riot of joy and energy that is balanced neatly by Wallace's sweet tenor and bluesy melodic lines.
Following his narrative influences takes us down a true rabbit hole--to the source of the Naked Light. Stories appear out of every corner, real and or unreal. Emotions are born and breathe, exhibiting strange behaviors. Whether they are cited from one of his wandering trips to China, his short stint as a gospel piano player for a small Mennonite Church in Appalachia, or a mysterious box of letters about the alien end times found in an abandoned storehouse, Wallace's well of inspiration is deep, and doesn't seem to be running dry anytime soon.
Download the complete bio:
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completebioJWTNL.pdf Size : 28.018 Kb Type : pdf |
CONTACT
General Iquiries ~ nonakedlight@gmail.com
Press & Promo: Talia Miller of Brixton Agency ~ talia@brixtonagency.com
Booking: Matt Elam of William Morris Agency ~ melam@wmeentertainment.com
©2014 No Naked Light Publishing
